Eric: My name is Eric Walker and I was the lead programmer for Strange Attractors

Eric: We really didn't think we would have much of a chance in the competition, actually. We mostly used the entry deadline as a goal to keep ourselves working.

Eric: We've all been friends since high school. I started playing around with programming back on my dad's Vic-20, and in high school I decided I would need some help if I was ever going to make a cool computer game. I recruited some friends, and over the years we've all been honing our skills either on our own or in school. Scott Stanfield basically built the Ominous Engine that allowed me to throw the game together as quickly as I did. He's completely self taught, is a brilliant programmer and excellent at organizing complicated code. Bret Alfieri has a degree in film and computer graphics; he did the art, level design and worked with me to flesh out the original idea. Chris McGarry did the music and the sound. He's an incredibly passionate and creative person and contributed a lot of ideas as to polishing up the feel of the game. Joe Saucedo is our storyteller; he's responsible for the deep and subtle plot that underlies the whole game. Actually, he's been working on various other projects since Strange Attractors is not exactly story driven.

Eric: We are definitely not full time developers. We all have other jobs and pretty full schedules outside of game development.

Eric: We are people making games for fun. I think it's probably more enjoyable to work on stuff when you don't have to, but it does make deadlines very nebulous.

Eric: We decided to enter the one switch game competition for Retro Remakes back in April thinking that a one month deadline and simple concept would be something we could definitely get done. I came up with the idea shortly after I read the rules of that competition. The concept for the game itself can trace its roots back to the first pong game I wrote in high school. I didn't know how to put 'spin' on the ball, so I added gravity wells that would pop up at random. That concept evolved into another old game called Gravi-Ball where you switched gravity wells on and off to try and move a ball into your opponent's goal. I was thinking about trying to remake that game just before I read about the one switch competition, so it was fresh in my mind I guess. The basic idea has stayed pretty true to the original concept. There were lots of mini-games and 'challenge' levels that came and went, but the basic game play didn't change much.

Eric: The one switch format? I think its something every game developer should try. Most of the one switch games I played felt like they were restricted by the one switch format. To put it another way, it felt like the game would be simple if you could just have separate buttons for the common game actions, and it was sometimes aggravating that there weren't. One of my goals for Strange Attractors was to make a game where you didn't really notice you were only using one button. Creating one switch games, to me, seems to polarize the concepts of interface design. It seems that the games are either all about the controls, or not at all.

Eric: I used Microsoft Visual C++ 6, DirectX, and Paintshop Pro for my end of the project. I'm not exactly sure what's in my teammates' bags of tricks.

Eric: I would say that the biggest obstacle was staying motivated. Since high school, a lot of the team has moved around, and we are all busy with plenty of other things. Keeping communication going between everyone, even if it wasn't project related, and using these competitions as deadlines really helped.

Eric: We did most of the planning online, but Bret and I met with some frequency to tweak the design and we both drove out to Ann Arbor for a day to meet with Chris and do the preliminary sound work. Other than that it was all e-mails and blog entries.

Eric: It was a lot of fun in general. I would have to say the worst part was thinking I may have missed the deadline for the IGF because I couldn't get the ftp site to work.

Eric: The first iteration was done in a month, after that we cleaned it up sporadically over the next 4 months.

Eric: Besides the little screaming men? The controls and the concepts are simple to grasp and fairly common to everyday life, but the interactions that develop quickly become more complicated than the player might expect. Obviously, some of that was intentional, but I was a little surprised at how well it all worked when I played the first demo. I think some of what makes the game fun is the learning curve. If you watch people play the game for the first time you can actually see them learning a new skill. Not a completely useful skill, mind you, but you can see them grow more comfortable with the mechanics of the game in a very pure way. I mean, it's not like they are getting better at remembering which buttons to push…

Eric: Probably more than anything, we've learned the importance of enforceable deadlines and intuitive controls.

Eric: I don't think the IGF has changed too much for us. It's nice to be recognized, but it's easy to get overwhelmed by the sudden attention. As far as goals, we have more ideas for video games than we know what to do with. Hopefully one of them will bring us back to the IGF next year.

Eric: It's a game about breaking stuff. To quote the design doc, "Entropy is a great stress reliever." That's all I'm going to give you for now. I'm really curious to see if it turns out to be fun. I think the idea has a lot of potential and hopefully we will be able to translate it to the computer. It's a little more ambitious than Strange Attractors, so we'll see how that goes.